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Free guide · For editors

How to add sound effects to your videos

Where whooshes, hits and risers go, how to time them, and how to add your own sounds in CapCut, Premiere Pro and DaVinci Resolve.

  • 5 min read
  • 8 chapters
  • Sources checked September 2026
Sound effects on their own track, each one lined up with a cut.

01 · Short answer

Which sound goes where

Most edits use the same few kinds of sound. Match each one to a moment on screen, and you know where it goes.

Common sound effects and where they go

SoundWhere it goesFor example
WhooshCuts, camera moves, text sliding inA quick pan into the next shot
Hit or impactText popping in, a beat drop, a revealThe title lands on the first beat
RiserThe build-up before a revealThe seconds before the outfit change
GlitchJump cuts, a moment that goes “wrong”A deliberate jump in a talking-head clip
Foley and UIClicks, a camera shutter, a popA click as a caption appears

02 · Timing

Put the peak on the cut

Timing matters more than the sound you pick. These are common editing habits, not rules — your ears decide.

Line the loudest part of a sound up with the moment it belongs to: the cut, the camera move, the text landing. For a whoosh, that usually means starting a little before the cut, so it peaks as the new shot appears.

A hit belongs exactly on its moment — the frame where the title appears or the beat drops. A riser builds until the reveal and stops there, so the reveal gets the impact.

Then nudge. Move the sound a frame at a time and play the moment back until it feels attached to the picture. The waveform helps: its peak should sit on the cut.

03 · Volume

Under the voice, never over it

A sound effect should add to a moment, not cover the words.

Keep effects below the voice and the music. CapCut's own advice is to set a sound's volume and fades “in context with the dialogue and music so it does not overpower the mix.”

Not every cut needs a sound. Save them for the moments you want viewers to notice, and let the rest run clean.

Pick one family and repeat it: the same whoosh for every scene change, the same hit for every title. A few sounds used the same way read as a style; ten different ones read as noise.

A clear voice comes first

No effect saves a voice that's hard to understand. The microphone guide starts with free fixes, before you buy anything.

Free fixes for better sound

04 · CapCut

Add sound effects in CapCut

CapCut has a built-in library of sound effects, and you can add sounds of your own. The steps follow CapCut's own help pages.

The built-in library, on a computer

  1. Step 1: Start with your video on the timeline

    Open your project, or start one, with the video on the timeline.

  2. Step 2: Open Audio › Sound effects

    In the left sidebar, click “Audio”, then “Sound effects”. Browse by category or use the search bar.

  3. Step 3: Add the sound

    Click “+” next to it, or drag it straight onto the timeline, under the moment it belongs to.

  4. Step 4: Set the level

    Select the sound and adjust its volume and fades so it doesn't cover the voice or the music.

Source: CapCut: Free Sound Effects (opens in a new tab), read September 2026. Menus can look different in your version.

Your own sound files, on a computer

  1. Step 1: Import the file

    Click “Menu” › “File” › “Import” and choose your sound, or drag the file straight into CapCut.

  2. Step 2: Place it under its moment

    Drag the sound onto the timeline, under the cut or movement it belongs to.

  3. Step 3: Line it up and set the level

    Nudge it until its peak sits on the cut, then lower the volume until it sits under the voice.

Source: CapCut: How to add background music to your video (opens in a new tab), read September 2026. Menus can look different in your version.

On the phone, CapCut's pages describe the same idea: start a project with your video, open the built-in sound effects, drag them onto the timeline and adjust them. For sounds of your own, they point to the “Audio” tab and uploading audio from your device. The exact buttons aren't described there, and they can move with app updates.

Want sounds of your own to start with?

Our editing packs include a sound effects pack. Add its files the way the steps above describe.

See the sound effects pack

05 · Premiere Pro

Add sound effects in Premiere Pro

Premiere treats a sound effect like any other audio clip: import it, put it on an audio track under your video, set the level.

Import, place, set the level

  1. Step 1: Import the sound

    Choose Window › Media Browser, find the file, right-click it (Control-click on a Mac) and choose Import. It appears in the Project panel.

  2. Step 2: Drag it into the sequence

    Drag the clip from the Project panel onto an audio track in the Timeline panel, under the moment it belongs to. You can also drag files straight into the Timeline panel.

  3. Step 3: Set the level

    Right-click the clip and choose Audio Gain to raise or lower it by a number of decibels.

Sources: Adobe: Add audio and music to a video project (opens in a new tab) and Adobe: Adjust audio gain in Premiere (opens in a new tab), read September 2026. Menus can look different in your version.

06 · DaVinci Resolve

Add sound effects in DaVinci Resolve

In DaVinci Resolve, sounds go into the media pool and onto an audio track on the Edit page. The Fairlight page has more audio controls.

Media pool, timeline, level

  1. Step 1: Bring the sound in

    Drag your sound files into the media pool.

  2. Step 2: Put it on an audio track

    On the Edit page, drag the sound onto an audio track, under the moment it belongs to.

  3. Step 3: Set the level

    Drag the level line in the middle of the clip up or down, or use the level slider in the inspector.

  4. Step 4: More control in Fairlight

    On the Fairlight page you can change a clip's volume over time with keyframes, and browse your own sound libraries without leaving the app.

Sources: Blackmagic Design: DaVinci Resolve Edit (opens in a new tab) and Blackmagic Design: DaVinci Resolve Fairlight (opens in a new tab), read September 2026. Menus can look different in your version.

07 · Your library

Keep a small library

Finding the right sound fast matters more than having thousands.

Sort your sounds into folders by type — whooshes, hits, risers, glitches, foley — and give files names that say what they are, like “whoosh-fast-01”.

Keep the handful you use most in a favourites folder. Using the same few sounds across your videos also makes your edits recognisable.

08 · Licences

Check the licence before you publish

Whether you may use a sound, and where, depends on its licence — not on where you found it.

CapCut's sound effects page calls the library's sounds copyright-free, and in the same place tells you to review the current licence terms for the specific sound and your use before commercial or large-scale use. Do that before a video earns money.

For sounds you buy or download, the licence on the seller's page decides — for a pack too. Read it before you publish.

Transparency

How we checked

  • Every list of steps follows the maker's own help pages — CapCut, Adobe and Blackmagic Design — named under the list with the month we read them.
  • Menus change with app updates, so the steps name the buttons the makers name and nothing more.
  • Timing, volume and library tips are common editing practice, not measured results.
  • Licences are the makers' and sellers' terms: check them for your own use.

FAQ

Quick answers

What editors ask about sound effects.

Ready for your first sounds? The sound effects pack is one of our editing packs.

See the editing packs
How loud should sound effects be?

Quieter than the voice and the music. Play the moment back: if you notice the sound before the words, lower it.

How many sound effects are too many?

When they cover the edit instead of marking it. Not every cut needs one; a few sounds from one family, used the same way, usually work better than a new sound on every cut.

WAV or MP3?

Both are common. CapCut's guide to audio formats describes WAV as uncompressed, with excellent quality but large files, and MP3 as compressed to keep files small at acceptable quality. For short effects, file size rarely matters, so WAV is a good default when you have the choice.

Next step

Give your next edit its sound

The Sound Effects pack is one of our editing packs — take it on its own, or all four in the bundle.